Sunday, January 26, 2020

Two Desert Children

by Kayla Larson

Growing up, the desert was my entire world. A change of scenery, some new courage, and a fellow desert child helped me to expand that world. 


I’m a desert child. Born under a blistering late afternoon sun in July, raised on a lake that turns to melted gold under pink skies. My childhood was spent wandering barefoot through sagebrush, always keeping a watchful eye for rattlesnakes. I always felt most comfortable wandering in the outdoors, but was just as likely to be found curled up on the floor with a book.

Growing up, there was a well-loved book on my family’s bookshelf: Half Broke Horses by Jeanette Walls. It tells of a strong-willed woman who grew up in the desert and eventually found her passion in teaching. It taught me my most important life lesson: “The place where you live - your home - is one of the most important things in a body's life.”

Sugar and Spice

A personal literary essay by Ariel Hochstrasser

“After a good dinner one can forgive anybody, even one's own relations.” - Oscar Wilde

Step One: 
  I was spoon-fed fairytales as a kid. I lapped up the stories of princesses being saved by shining knights, of surreal characters of all shapes and sizes aiding or hindering a perfectly normal human on their quest to find Happily Ever After, of heroes always winning and bad guys always losing. I savored the moments of sweet victories and knowing just how easy it was to spot the good and the evil. The fairytales I consumed inspired me to tell myself fantastical adventures. For the first few years of my life, I let the stories bounce around the corners of my mind, unsure of what to do with them, but well aware that fairytales were my most treasured source of nourishment.

A Mother's Heart Song

My grandmother and I at our local library

The Beatles said, "All you need is love" and honestly, I think they were onto something.

On a Bench on a Fall Day

By Matt Kunz

Surrounded by nature, I learned to see the world differently all because of poetry.

While sitting on a bench surrounded by nature’s beauty, I had an aesthetic experience. It was this sublime moment when I realized the impact poetry can have to me personally or to any individual seeking new perspectives. To Autumn by John Keats remains dear to me because it was this poem that led me to a changing realization. I gained a new perspective of fall, life, and the Earth all because of this poem.

Why Grammar Matters

A personal essay by Sophie Plantamura

How I learned that even the most seemingly inconsequential grammatical choices can change everything. 

Junior year Sophie geeking out over Steinbeck's beautiful language. 
"I would like to share a student's paper as an example of what I was looking for in this assignment" said my AP Literature teacher, a casual remark that increased my heart rate, alertness, and hope for recognition. I had worked tirelessly on this paper, mirroring the stylistic methods utilized by some of my favorite authors in order to demonstrate my
proficiency in the English language. After a dramatic pause rivaling those of award show announcers, my teacher finally stated, "Sophie's paper was the perfect example of being creative and concise," proceeding to point out certain sentences where I had done particularly well. At last! I had finally been recognized for my hard work. Maybe I could pursue this English thing in college...


It Will Rain a Dream


By Hannah Uffens 

I did not understand the power of literature until Tom Robbin's voice poured out of the classroom speakers. 

I came into my junior year of high school with little idea of future plans, not being able to firmly decide on what it was I loved and wanted to make a solid part of my life. There was constant badgering of college plans and future professions but I struggled between the verdict of working on an organic farm in Europe when I was 18 or shedding my life away in medical school. Overall, I had little desire to continue education and learning in something I had slight interest in, as it seemed my current classes persisted to be. Additionally, the stress my high school put on choosing a major that dealt with math and science, especially for females, was influential to a point of destruction. That autumn of pitted future doubts, I enrolled in a creative writing class that had barely slipped the cunning hand of budget cuts. This was a decision that has changed my life. 

Throughout the semester I cultivated a love for creative writing that was undeniably spilt from the influence of my teacher, Mr. Davis. The works for inspiration he handed out all peaked my interest and the first poem he handed out, I memorized because I read it over and over so many times. You never knew what to expect, one day you might waltzing to the rhythms of poems and the next you might be reading to the pace of his harmonica. We wrote celebrity fantasy stories, conducted interviews, recited plays and anything you could conjure in your mind was valid art on paper. The assignments felt light and fulfilling at the same time.

And then one day the frivolity of it all came to an end. That morning Mr. Davis dusted off the projector and played a recording of Tom Robbins titled “You Moist Remember This.” Some loved the nostalgia the old recording brought, some loved the reference to the rain we understood completely. But I loved the words. “I'm here for the weather. In the deepest, darkest heart of winter, when the sky resembles bad banana baby food for months on end, and the witch measles that meteorologists call "drizzle" are a chronic gray rash on the skin of the land, folks all around me sink into a dismal funk.” I learned that Tom Robbins did not live far from me. That he too had experienced the never ending rainy days that accompanied living in Seattle. Yet I had never heard the weather expressed this way. The weather-a topic saved only for mom’s trying to persuade their children to wear a coat to school, and awkward silences on first dates. He continued, “rain will primitivize the cities, slowing every wheel, animating every gutter, diffusing commercial neon into smeary blooms of esoteric calligraphy.” 

Although I had began to develop a love for literature and writing, I had yet to experience this level of appreciation. I became obsessed with these words, would listen to them and read them in my mind over and over. It has taken some years to understand why my love for this work mirrored the rain in Seattle, never ending and continually building. In the beginning of the quote above, Robbins uses a simile and a metaphor to give deeper understanding to his audience. Although I had been under this sky for many years, I had never heard it more accurately described until he compared it to “bad banana baby food.” It is a description that all can conjure in their minds with equal fascination and repulsion. The alliteration of this line also brings focused attention to the description and boldness to his words. His metaphor of drizzle brings dimension to his writing and vividness to the image of a continual rain. Additionally, choice of diction in the word “sink” denotes water, but portrays individuals reacting emotionally to the constant rain. It furthers iterates Robbin’s idea that the rain becomes an integral part of someone who lives in this weather. 

I am still utterly fascinated with Robbin’s ability to take something so ordinary and with the use of literary tools, make it beautiful. There is so much power in words. I have learned that to extend conversation beyond the typical and integrating greater elements of writing can impact the reader greatly. It can connect people who live thousand of miles away, and those who live in the same city. Since I heard this Tom Robbins reading I have strived to learn the art of writing and the art of reading so that I too can see and explain the ordinary as beautiful. 

Becoming Dorothy



Me as Dorothy, age 10
By Magda Pfunder


This is the story of how a witch changed my life.

The universe, the way I see it, wants each one of us to learn very specific ideas. And when it has something to tell you, it’s like everything you read, everything you watch, everything you find on the internet bangs you over the head with the same message, over and over again until you’re sick of it. Well, the universe started young with me. When I was five years old, I was Dorothy Gale and “[I] had the power in [me] all along”.

I remember my father reading me The Wizard of Oz every night. I didn’t understand why he loved it so much. It was fun, I guess. And I took to it really well. I listened to every word of that book as well as a kindergartner could and after the book came the movie, and the Halloween costumes, and, as I got older, short discussions with my father about exactly why the book was such a masterpiece.